Content
- Allegro moderato (19')
- Canzonetta: Andante (7')
- Finale: Allegro vivacissimo (7')
with marked and unmarked string parts
Breitkopf Urtext
Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather “pulled about, torn asunder, beaten black and blue”. Yet he was not able to stop the triumphal march of Tschaikowsky’s only violin concerto. Its incredible technical demands have meant that it is a true test of virtuosity. Its effectivenessis, however, mainly due to its great expressiveness – are there any violinists who do not love the lyrical melancholic “Canzonetta”? – and due to its Slavic temperament. At last and indeed for the first time this milestone in the violinist’s repertoire is now available in a text-critical edition, which is true to its original form.
Scoring: solo: vl – 2.2.2.2. – 4.2.0.0. – timp – str
Breitkopf Urtext
for: Violin, orchestra
Score (Urtext edition)
Item no.: 582816
Breitkopf Urtext
for: Violin, orchestra
Study score (Urtext edition)
Item no.: 610155
Breitkopf Urtext
for: Violin, orchestra
Harmony parts (complete winds)
Item no.: 582822
Breitkopf Urtext
for: Violin, orchestra
Violin 1 (orchestral part)
Item no.: 582817
Breitkopf Urtext
for: Violin, orchestra
Violin 2 (orchestral part)
Item no.: 582818
Breitkopf Urtext
for: Violin, orchestra
Viola (orchestral part)
Item no.: 582819
Breitkopf Urtext
for: Violin, orchestra
Cello (orchestral part)
Item no.: 582820
Breitkopf Urtext
for: Violin, orchestra
Double bass (orchestral part)
Item no.: 582821
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