One Piano, Four Hands
The composer himself has rescored his beguiling reminiscence of old 19th-century Vienna for One Piano, Four Hands to make it avaliable to more players and for use when two pianos are not feasible (it was previously published in 1948 for Two Pianos, Four Hands). Its consumermate wit and dazzling waltzes make it a bravura finish to any duo recital, or a perfect choice as an encore. For studios, colleges, professional, libraries. Medium.
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