Content
- Morgenmusik · 2. Kanon · 3. Abendkonzert · 4. Finale: Marsch
Suite
The suite from the cycle „Plöner Musiktag“ (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is caused by the different instrumentation of the four movements which, how-ever, takes into consideration the conditions of school practice.
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