Cantata for the 3rd Sanday after Trinity/all occasions
The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cöthen parts placed afterwards in brackets.
Scoring: Soli STB (SB/TB/SATB), Coro SATB, Ob, Fg, 3 Tr, 4 Timp, 2 Vl, Va, Bc, [4 Trb]
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