Shoot differs from his fellow composers in that he is an advocate of “pure” music. He always starts out from a sound, and not from literature or even painting. His music is a synthesis of various different elements which include stylistic quotations and allusions. However, the most obvious influence is the music of Alban Berg: “I love the sort of music in which, in addition to beauty and perfection, there is a kind of irrational door, a ‘black hole’, a place of chaos and of mourning. The less this hole reveals itself, the better. But it must be there somewhere.” (V. Shoot)
Vladislav Shoot’s music has been performed at numerous festivals, including “Moscow Autumn”, “Almeida Festival” (London), Schleswig-Holstein Musik-Festival, “Wien modern”, “Présences” (Paris) and “Ars Musica” (Brussels). It has also been performed in America, Korea and in many European countries.
He has been commissioned to write works for the BBC Symphony Orchestra (High-Cross Symphony, 1998), the Philharmonia Orchestra, Radio France and various festivals, organizations and ensembles. Shoot’s music has been recorded by radio stations in Berlin, Budapest, Cologne, London, Moscow and Paris, and is now available on a number of CDs.
Version for bassoon and piano
for: Bassoon, piano
Score, part
Item no.: 758347
for: Violin, piano
Piano score, solo part
Item no.: 666262
auf Texte von Ossip Mandelstam
for: hohe Stimme, Flöte, Klarinette und Streichquartett
Score, Parts
Item no.: 1639241
(2000)
for: Organ
Music score
Item no.: 750468
for: Clarinet, 2 violins, viola, cello
Score
Item no.: 1639239
for alto saxophone and piano
for: Alto saxophone, piano
Music score
Item no.: 758344
for free-bass accordion
for: Bajan mit Free-Bass-Modus
Music score
Item no.: 736564
for violin and piano
for: Violin, piano
Score, part
Item no.: 735881
Fassung für Fagott und Klavier
for: Bassoon, piano
Piano score, solo part
Item no.: 657833