“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Cello
Music score
Item no.: 112171
for: Piano SATB Organ Accompaniment
Book
Item no.: 321999
for: Violin
Music score
Item no.: 869920
for: Mixed choir (SATB), piano
Book
Item no.: 882023
for: Mixed choir (SATB), piano
Book
Item no.: 874801
for: Piano
Music score
Item no.: 934202
for: Organ
Music score
Item no.: 906173
for: INST (3-5) BC
Score
Item no.: 195130
With a second violin part for two soloists (Collection, Urtext)
for: 1–2 violins
2 music scores
Item no.: 205533
for: Classical guitar
Music score
Item no.: 150559
for: Flute, basso continuo
Item no.: 109080
Solostimme, Flöte und B.c. Band 7
for: GES-H (T) FL BC
Score, Parts
Item no.: 414221
for: Cello [unaccompanied]
Book
Item no.: 1004860
for: Two-Part Treble Voices [SA], Organ or String Ensemble
Einzelstimme
Item no.: 902960
for: Male choir (TTBB), piano
Score
Item no.: 908500
for: Male choir (TTBB), piano
Score
Item no.: 901754
for: TTBB Piano 4-Hands
Einzelstimme
Item no.: 899716
for: Classical guitar
Music score
Item no.: 467887
for: Guitar
Item no.: 108630
for: Electric organ
Item no.: 108553
for: Piano
Music score
Item no.: 108341
for: Brass ensemble (10 parts)
Score, Parts
Item no.: 966883
for: Piano [harpsichord]
Music score (Urtext edition)
Item no.: 255857
for: Piano
Music score
Item no.: 255594
for: Piano
Music score
Item no.: 255583
for: Organ
Music score
Item no.: 256321
for: Violin, piano
Score, Parts
Item no.: 256841
for: Organ
Study score
Item no.: 256701
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Study score
Item no.: 256679
for: 2 guitars
Ensemble score
Item no.: 135911
for: Treble recorder, basso continuo
Score, solo part
Item no.: 421148
for: 4 recorders (SATB quartet)
Ensemble score
Item no.: 413555
for: 4 saxophones (SATBar)
Score, Parts
Item no.: 881265
for: Treble recorder
Ensemble score
Item no.: 117272
for: Flute
Music score
Item no.: 122862
for: Blechbläserquartett
Score, Parts
Item no.: 366847
for: 2 Trumpets and Organ
Book
Item no.: 240701
for: Piano
Music score
Item no.: 239634
for: Solfege
Book
Item no.: 997291
Choralbearbeitung, BWV 645
bearbeitet für 3 Gitarren
for: 3 guitars
Score, parts (pdf download)
Item no.: 2402
for: Cello
Music score
Item no.: 339610
(Urtext)
for: Symphonic orchestra
Solo part(s)
Item no.: 182628
for: 2 flutes (duet)
Ensemble score
Item no.: 147091
for: Cello
Music score
Item no.: 284499
Piano reduction
Item no.: 285430
Kantate zum 3. Sonntag nach Epiphanias
for: Soli SATB, Gemischter Chor (SATB), Oboe, Violinen (2), Viola, Basso continuo
Score
Item no.: 1337482
for: Bass clarinet, organ
Sheet music
Item no.: 1239497
Barock/Klassik
for: Flute ensemble (4-6 voices) [4 flutes; alto flute, bass flute ad lib.]
Score, part
Item no.: 689610
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