Sheet music by Gerald Barry

"Barry’s is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else’s in its diamond-like hardness, its humour, and sometimes, its violence."[3] He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his opera The Triumph of Beauty and Deceit: