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- Burletta / Allegro legiero
- Intermezzo alla scherzando / Moderato
- Intermezzo lirico / Andante teneramente
- Moment musical / Andante con moto
- Perpetuum mobile (Buon giorno Signor Carlo Cz.) / Allegro leggiero
- Loco-motive / Grave
- Allegro assai
Die Intermezzi sind kompositorisch so angelegt, dass kein Part nur Begleitung des anderen ist. Beide, Primo und Secondo, stehen in gewisser Eigenwertigkeit zueinander. Die Stücke sind durchweg nach dem Prinzip des doppelten Kontrapunktes gearbeitet, das heisst, die Spieler tauschen ihre jeweiligen Gedanken, Themen und Motive aus, behalten aber ihre Position. Hans-Günther Allers
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