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Felix Mendelssohn Bartholdy (1809 – 1847)

Hymn of Praise op. 52 MWV A 18

A Symphony-Cantata after Texts from the Holy Scriptures
Bärenreiter Urtext

F. Mendelssohn Barth: Lobgesang op. 52 MW, 3GesGchOrchO (KA) (0)

F. Mendelssohn Barth: Lobgesang op. 52 MW, 3GesGchOrchO (KA) (1)

F. Mendelssohn Barth: Lobgesang op. 52 MW, 3GesGchOrchO (KA) (2)

F. Mendelssohn Barth: Lobgesang op. 52 MW, 3GesGchOrchO (KA) (3)

F. Mendelssohn Barth: Lobgesang op. 52 MW, 3GesGchOrchO (KA) (4)

for	3 soloists (SST), mixed choir (SATB), orchestra, organ
Musical Editions	Piano reduction (Urtext edition)
Item no.	695978
Author / Composer	Felix Mendelssohn Bartholdy
Editor	John Michael Cooper
Languages	german, english
Scope	128 pages; 19 × 27 cm
Release year	2020
Publisher / Producer	Bärenreiter
Producer No.	BA 9092-90
ISMN	9790006565801

Assigned items

F. Mendelssohn Barth: Lobgesang op. 52 , 3GesGchOrchO (Part)

F. Mendelssohn Bartholdy

Hymn of Praise op. 52 MWV A 18

A Symphony-Cantata after Texts from the Holy Scriptures Bärenreiter Urtext – Score (Urtext edition)

for: 3 soloists (SST), mixed choir (SATB), orchestra, organ

119.20 €(incl. VAT, plus shipping)

Description

For the first time the piano reduction includes Mendelssohn’s authorised version of the “Sinfonia”, based on the first edition of No. 1 for piano solo.

2.2.2.2 - 4.2.3.0 - Timp - Org - Str

English Text by Charles Henry Monicke as approved by the composer

Mendelssohn’s contemporaries frequently mentioned his Hymn of Praise (Lobgesang) in the same breath as Beethoven’s Ninth – and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name “symphony-cantata”. Later he added a secular counterpart with Die Erste Walpurgisnacht.

Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work’s performance, e.g. tempo, articulation and dynamics.

Content

Introduction
Einführung
Texts and Translations
Lobgesang (Hymn of Praise) op. 52 MWV A 18. Eine Symphonie-Kantate nach Worten der Heiligen Schrift:
No. 1. [Sinfonia]:
No. 1[a] Maestoso con moto – Allegro
No. 1[b] Allegretto un poco agitato
No. 1[c] Adagio religioso
No. 2. [Chor.] Alles, was Odem hat / All that has life and breath
No. 3. Recitativo [und Arie.] Saget es, die ihr erlöset seid – Er zählet unsre Tränen / Sing ye praise, all ye redeemed – He counteth all your sorrows
No. 4. Chor. Sagt es, die ihr erlöset seid / All ye that cried unto the Lord
No. 5. [Duett mit Chor.] Ich harrete des Herrn / I waited for the Lord
No. 6. [Arie.] Stricke des Todes / The sorrows of death
No. 7. [Chor] Die Nacht ist vergangen / The night is departed
No. 8. Choral. Nun danket alle Gott / Let all men praise the Lord
No. 9. [Duett.] Nun sing' ich mit meinem Liede / My song shall be therefore thy mercy
No. 10. Schlusschor. Ihr Völker, bringet her dem Herrn / Ye nations, offer to the Lord

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