From Symphonia Serena
0 Full Score A3 - 1 Full Score - 1 Piccolo - 4 Flute I - 4 Flute II - 1 Oboe I - 1 Oboe II - 1 Bassoon I - 1 Bassoon II - 1 Clarinet Eb - 1 Clarinet Solo - 1 Clarinet Solo I - 4 Clarinet II - 4 Clarinet 1B - 4 Clarinet 1A - 1 Alto Clarinet Eb - 1 Bass Clarinet - 4 Bass Clarinet II - 2 Alto Saxophone I - 2 Alto Saxophone II - 1 Tenor Saxophone I - 1 Tenor Saxophone II - 1 Baritone Saxophone - 2 Cornet I - 2 Cornet II - 2 Trumpet I - 2 Trumpet II - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Baritone C - 2 Baritone Bb (BC) - 2 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba I + II C - 1 Stringbass - 2 Percussion I - 2 Percussion II - 1 Percussion III - 1 Timpani
Paul Hindemith erhielt vom neunten Lebensjahr an Musikunterricht und studierte bereits 1909 am Konservatorium in Frankfurt Komposition und Geige.Hindemith ist dem Amateurmusiker immer mit Sympathie begegnet. Er schrieb beispielsweise einige Werke für Blasorchester. In 1946 schrieb er seine „Symphonia Serena“, von der Juan Vte. Mas Quiles den „Geschwindmarsch von Beethoven“ für Harmonieorchester arrangierte.
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