Antonio de Cabezón (1510 – 1566)

Selected Works IV

Bärenreiter Urtext

A. de Cabezón: Ausgewählte Werke IV, OrgmCemKlv (0)A. de Cabezón: Ausgewählte Werke IV, OrgmCemKlv (1)A. de Cabezón: Ausgewählte Werke IV, OrgmCemKlv (2)A. de Cabezón: Ausgewählte Werke IV, OrgmCemKlv (3)
for:
Organ manuals [harpsichord/piano]
Musical Editions:
Music score (Urtext edition)
Item no.:
564569
Author / Composer:
Editor:
Scope:
88 pages; 24 × 30.5 cm
Release year:
2011
Publisher / Producer:
Producer No.:
BA 9264
ISMN:
9790006529247

Description

  • First scholarly-critical edition of selected works by the leading Spanish organist
  • Reflects the latest research findings
  • Each volume with a foreword (Ger/Eng) with tips on editorial technique, critical commentary (Ger/Eng) and index of sources

The court organist Antonio de Cabezón, who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16, was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16 th century.

His hymns and versets are based on short, decorated harmonisations of the psalm tones. In the tientos, the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed.

This Urtext edition contains a selection of Cabezon’s best known works and will consist of four volumes. It has been prepared by two editors working at Portuguese and Spanish universities who are both leading scholars of the works of Cabezón and reflects the latest research findings.

Content

  •  Vorwort:
  •  Anlass und Konzeption
  •  Leben
  •  Werke
  •  Tabulator
  •  Cabezóns Tradition
  •  Hinweise zur Aufführung:
  •  Metrik
  •  "Tañer con buen ayre"
  •  Fingersatz
  •  Verzierungen und Glosas
  •  "Semitonía subintelecta"
  •  Instrument und Registrierung
  •  Schlusswort
  •  Abbildungen:
  •  H. de Cabezón. Obras de Música para tecla, arpa y vihuela, de Antonio de Cabezón" (1578) Titelblatt
  •  L. V. de henestrosa. "Libro de cifra nueva para tecla, harpa y vihuela" (1557) Titelblatt
  •  Krititscher Bericht:
  •  I. Abkürzungen
  •  II. Zur Editionstechnik
  •  III. Quellen
  •  IV. Einzelnachweise
  •  Bibliographie
  •  52. Canción glosada "Je file quand Dieu" (Philip Van Wilder)
  •  53. Canción glosada "Au joly boys" (Johannes Lupi)
  •  54. Canción glosada "Ayme qui vouldra" (Nicolas Gombert)
  •  55. Canción glosada "Triste départ" (Nicolas Gombert)
  •  56. Canción glosada "Pis ne me peult venir" (Thomas Crecquillon)
  •  57. Canción glosada "Susane un jour" (Orlandus Lassus)
  •  58. Canción glosada " Qui la dira" (Adrian Willaert)
  •  60. Diferencias sobre "Las Vacas"
  •  61. Diferencias sobre "La Pavana Italiana"
  •  62. Diferencias sobre "La Gallarda Milanesa"
  •  63. Diferencias sobre "El Canto Ilano del Caballero"
  •  65. Diferencias sobre "La dama le demanda"
  •  66. Diferencias sobre "Quién te me enojó Isabel"
  •  67. Glosa sobre "Dont vient cela" (Claudin de Sermisy)
  •  64. Diferencias sobre "La Pavana Italiana"
  •  59. Canción glosada "Ardenti miei sospiri" (Philippe Verdelot)
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