Johann Sebastian Bach (1685 – 1750)

I love the Almighty with all of my spirit BWV 174

Cantata for the 2nd day of Pentecost
Urtext Stuttgarter Bach-Ausgaben

J.S. Bach: Ich liebe den Höchsten von ganz, 3GesGchOrch (KA) (0)

J.S. Bach: Ich liebe den Höchsten von ganz, 3GesGchOrch (KA) (1)

J.S. Bach: Ich liebe den Höchsten von ganz, 3GesGchOrch (KA) (2)

J.S. Bach: Ich liebe den Höchsten von ganz, 3GesGchOrch (KA) (3)

Sample score

for:

3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo

Musical Editions:

Piano reduction (Urtext edition)

Item no.:

666955

Author / Composer:

Johann Sebastian Bach

Text:

Christian Friedrich Henrici

Editor:

Karin Wollschläger

Languages:

german, english

Scope:

28 pages; 19 × 27 cm

Duration:

23 minutes

Year of origin:

1729

Release year:

2017

Publisher / Producer:

Carus Verlag

Producer No.:

CV 31.174/03

ISMN:

9790007183554

Assigned items

J.S. Bach

I love the Almighty with all of my spirit BWV 174

Cantata for the 2nd day of Pentecost Urtext Stuttgarter Bach-Ausgaben – Score (Urtext edition)

for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo

26.30 €(incl. VAT, plus shipping)

Description

Scoring: Soli ATB, Coro SATB, 2 Ob, Tl, 3 Vl conc., 3 Va conc., 3 Vc conc., 2 Vl, Va, Bc

The cantata “Ich liebe den Höchsten von ganzem Gemüte” (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach’s fourth cycle of cantatas, known as the “Picander cycle”. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo – two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.

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