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Johann Sebastian Bach (1685 – 1750)

King of heaven, be most welcome BWV 182 in A major

Cantata for Palm Sunday or for the feast of the Annunciation
Stuttgarter Bach-Ausgaben

J.S. Bach: Himmelskönig, sei willkommen BW, 3SolGchOrch (KA) (0)

J.S. Bach: Himmelskönig, sei willkommen BW, 3SolGchOrch (KA) (1)

J.S. Bach: Himmelskönig, sei willkommen BW, 3SolGchOrch (KA) (2)

J.S. Bach: Himmelskönig, sei willkommen BW, 3SolGchOrch (KA) (3)

J.S. Bach: Himmelskönig, sei willkommen BW, 3SolGchOrch (KA) (4)

J.S. Bach: Himmelskönig, sei willkommen BW, 3SolGchOrch (KA) (5)

for:

3 soloists (ATB), mixed choir, orchestra, basso continuo

Musical Editions:

Piano reduction (Urtext edition)

Item no.:

234005

Author / Composer:

Johann Sebastian Bach

Text:

Salomon Franck

Editor:

Reinhold Kubik

Piano score:

Paul Horn, Reinhold Kubik

Scope:

56 pages; 19 × 27 cm

Duration:

30 minutes

Release year:

2014

Publisher / Producer:

Carus Verlag

Producer No.:

CV 31.182/03

ISMN:

9790007050252

Assigned items

J.S. Bach

King of heaven, be most welcome BWV 182 in A major

Cantata for Palm Sunday or for the feast of the Annunciation Stuttgarter Bach-Ausgaben – Score (Urtext edition)

for: 3 soloists (ATB), mixed choir, orchestra, basso continuo

29.20 €(incl. VAT, plus shipping)

Description

Version in A major (version in G major: Carus 31.182/50) The cantata "Himmelskönig, sei willkommen" BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was "Himmelskönig, sei willkommen." The cantata was first performed on Palm Sunday of that year, 25 March 1714.

Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder.

Scoring: Soli ATB, Coro SATB, Blfl f1, 2 Vl, 2 Va, Vc, Bc

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incl. VAT, plus shipping

Delivery time: 3–6 working days (Denmark)

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King of heaven, be most welcome BWV 182 in A major

Assigned items

King of heaven, be most welcome BWV 182 in A major

Description

Related items

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