This work has been inspired by the trees wherefrom string instruments are made. The composer tried to enter an empathic way of communication with trees and this is the result. How does the experience of not being able to move from one’s place influence the genesis of a musical structure? Is there a kind of synaesthetic representation in sound possible of how it feels if one’s existence extends as much below the earth as above? Are adjectives we use to describe kinesthetic sensations translatable...