Carl Maria von Weber‘s fame rests mainly on ‚Der Freischütz‘. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ‚Preciosa‘, ‚Oberon‘, and ‚Euryanthe‘, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber‘s influenti...

Einlagen zu Héléna und Lodoiska (WeV D. 2a, 7a - Konzertarien Il momento s'abbicina, Misera me!, Signor se padre sei, Non paventar mia vita (WeV E. 1a, 3a, 5a, 6a - Turandot-Ouvertüre (WeV F.1a - Jubel-Ouvertüre (WeV M 6a)