In terms of music history, the wind quintet genre is caught between two schools: 18th-century composers preferred the sextet or octet instrumentation with two equal instruments each for their wind divertimentos and serenades, whereas the Romantic composers preferred the warm sound of the string instruments - which only left a short period of transition for the mixed wind quintet. There was hardly any great classical music written for this tonally charming genre. The present arrangement of severa...

• WoO 52
• op. 33/2
• op. 33/4
• op. 33/6
• op. 33/7
• WoO 56
• op. 119/1
• op. 119/3
• op. 119/4
• op. 119/5
• op. 119/7
• op. 119/8
• op. 119/9
• op. 119/11
• op. 126/4