EECM 64 (EECM’s first all-Tallis volume since the English sacred music was published as Volumes 12 and 13) focuses on Latin polyphony that is either demonstrably Henrician or can plausibly be dated to before 1547.

In the latter case, a Henrician dating of Gaude gloriosa hinges upon the motet’s adaptation with a vernacular text in the mid-1540s: David Skinner’s reconstruction of the contrafact Se lord and behold (with words by Henry VIII’s sixth wife, Catherine Parr) is published for the firs...