On an intervallic motif based on C. Debussy's Prélude à l'après -midi d'un faune, a metaphorical variation of the five representations of the meaning of the goddess Nemesis is described:

• Retributive justice
• Solidarity
• Revenge
• Balance
• Fortune

Under an awakening of timbre-rhythmic combinations, it varies in canonic processes on intervallic deformations of the main motive, representing the complex abstraction of the meaning Justice.

The play of instrumental densities represen...