From the collection of 2 Lieder, op. 53 (ED 24000), probably written in the early 1920s and compiled later, the composer selected a title that was presumably particularly close to her heart: Die Nachtigall (The Nightingale). She arranged the solo Lied as a chamber music version and added a flute part by dividing the right hand part of the piano and assigning part of it to the wind instrument. The witty style of this gem with its onomatopoeic effects is sure to have an impact on the audience.