With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-movement sonata form, using the typical late Romantic harmonies influenced by Max Reger. This first edition takes account of all autograph sources. A welcome addition to the repertoire of double concertos with string orchestra.