The heavily symbolic language of the hymn Stabat mater, which probably dates back to the 13th century, describes Mary’s suffering at her son’s crucifixion. The text has inspired composers throughout the ages. The scoring of this setting by Julia Schwartz already gives an indication of her musical approach. Soprano, mezzo-soprano, alto and baritone are accompanied by an organ part that is frequently restricted to resting notes and motivic interjections. Short and slowly evolving melodic lines on ...