Along with the movement to Impressionism during the latter part of the 19th century, the French were caught up in the popularity of American ragtime and early jazz. Erik Saties piano piece Le Piccadilly, composed in 1903, was his own tribute to the syncopated dancing rhythms and lively melodies that made the genre so appealing. This fine realization brings the best of the genre and the eccentricities of the composer to the capable wind ensemble. A concert treat.