Dominique Roggen has always loved writing music that adheres to Baroque-era principles of musical counterpoint, form, and style.

This love is what led him to write his concerti anachronistici: concerted works written for instruments that were invented or developed long after the Baroque era, such as the accordion, the soprano saxophone, the euphonium, the tuba, the alto trombone and the marimba.

He has even written neo-Baroque concertos for the dulcimer and for natural yodeling. The Concer...