Fingerings and Notes on Interpretation by Manuel Fischer-Dieskau and Peter Roggenkamp.

Having been the conductor of the Leipzig Gewandhaus Orchestra for many years, Carl Reinecke was one of the most important figures among musicians in the second half of the 19th century. His three sonatas for violoncello and piano are of amazing musical quality which puts them right up with sonatas of Johannes Brahms.

It is all the more surprising, however, that a noteworthy urtext edition of these works ...