• Restoring of the original musical text authorised by Ravel
• Retaining the idiosyncracies of Ravel’s notation (e.g. allocation of treble and bass clef)
• Appendix with a list of alternative readings

In the 1960s, long after Ravel’s death, the musical text of the then available Durand edition of Ravel’s Piano Concerto in G major underwent various changes. Although it is unknown who authorised these changes, they have become established as common performance practice.

A variety of source...