Scat-Think, a manual for approaching jazz singing, is articulated as a journey through ‘scat’, a jazz improvisational method that over the years has developed from a nonsense language to a vocal technique through precise syllabic paradigms in relation to style, historical context and the personality of the performer of reference.

Through the use of melodic fragments, patterns and choruses modelled on the great masters of scat-singing jazz, such as Louis Armstrong, Ella Fitzgerald, Chet Baker...