Modern piano playing can be no more reduced to such technical and musical formulas as in the days of Liszt, Czerny or Dohnányi. The piano works of our contemporary composers do not demand the techniques of the classical scale, broken chords and series of parallel intervals: they are more inclined to demand from the performer a secure feeling for position, rich rhythmic imagination, a receptivity towards colour and dynamics which will become apparent in refined nuances of touch, the capacity for ...