The orchestrator says: "Ever since I became acquainted with this Grand Sonata, I always considered it as a potential guitar concerto. Eventually the idea of orchestrating it, or simply remaking it as a concerto was born. Although on first glance the notion of basing the orchestration on the original accompanying violin part seems logical, soon I had to realize that this way was only partially valid. While the violin part in the original ensemble was charged with providing a dialog with the solo ...