Inhoud
- To the pupil: why sight-reading?
Section 1:
- Notes C and D
- Solos
- Duets
- Accompanied pieces
Section 2:
- Notes C-G, 4/4 und 2/4 time, introducting slurs
- Solos
- Duets
- Accompanied pieces
Section 3:
- Notes E and F, new keys G major, C und E minors. Introducing 3/4 time and the dotted rhythm
- Solos
- Duets
- Accompanied pieces
Section 4:
- Range A-A, new keys E and D minor, D major, introducting, 3-time, quavers and dotted rhythms
- Solos
- Duets
- Accompanied pieces
Section 5:
- Range A-C. New Notes C and D. Keys of A minor, A major, F major and B major
- Solos
- Duets
- Accompanied pieces
Section 6:
- New Keys: E and A major. New time signatures of 3/8, 6/8 and 9/8
- Solos
- Duets
- Accompanied pieces
Section 7:
- All keys up to 4's and 4's. Triplets in simple time. 5/4, 5/8, 7/4 and 3/2
- Solos
- Duets
- Accompanied pieces
Section 8:
- Transposing down a tone as for Horn in E. Semiquavers and some chromatic movement
- Solos
- Duets
- Accompanied pieces
Section 9:
- Further transposition. Syncopation
- Solos
- Duets
- Accompanied pieces
Section 10:
- Transpositons of a minor 3rd and perfect 5th. Chromatic and modal tonalities
- Solos
- Duets Accompanied pieces
Section 11:
- Baroque to Atonal. Double sharps abd double flats
- Solos
- Duets
- Accompanied pieces
- Glossary