Within a few years of the Restoration of the Stuart monarchy in 1660, impresario and playwright William Davenant revised William Shakespeare's Macbeth to suit the tastes of his music-hungry audience, adding lavish singing and dancing scenes for the witches. This critical edition brings together the few remaining pieces from a setting of Macbeth dating from the mid-1660s, possibly by Matthew Locke, as well as a late-seventeenth-century setting by John Eccles, and an early-eighteenth-century one b...