This anthology presents organ, harpsichord and piano concertos – the majority not hitherto published in modern editions – by Handel’s contemporaries and successors, including works by Felton, Cooke, William Hayes, Arne, Chilcot, Philip Hayes, Hook, Rush, Stanley, Charles Wesley, Crotch, Samuel Wesley and Russell, from among the 200 examples surviving from the period c.1740–c.1815. Among the most versatile genres of the time, it found popularity in pleasure garden, theatre, concert room and the h...