Antonio Lotti’s surviving instrumental compositions are very few. Best known is an oboe d’amore concerto in A major, until now his sole identified work in the concerto genre. Now another concerto by him, this time for ordinary oboe, has turned up in Lund, Sweden. The manuscript parts are anonymous, but Lotti’s authorship is proved, first, by the fact that all three movements are arrangements of arias for soprano appearing in two of his operas written for Dresden and, second, by the fact that the...