This critical first edition in four volumes makes two previously unknown manuscripts with music for keyboard instruments (organ, piano or harpsichord) from the time around 1700 accessible to the music world. The South Tyrolean cleric and composer Elias de Silva (c. 1665–1732) is believed to be the copyist of the first manuscript, and a second, anonymous manuscript comes from the Cistercian monastery of Stams. The compositions selected for this edition provide a fascinating insight into typical m...