Written to coincide with Shelly Berg's successful Chop-Monster jazz language tutor, the sax duet writing in this blues original pays tribute to legendary big band writer Billy May. Saxes should strive to play scooped notes uniformly; lead alto may exaggerate the scoops a bit more than the other section members. Solo changes are provided for all instruments, and a guitar chord chart by Jim Greeson is included in each set.