Leopold Hofmann's Concerto F1 exhibits many of the stylistic and structural characteristics encountered in C1 and A1 which are also preserved in a volume of keyboard works preserved in the Austrian National Library that belonged formerly to Hofmann’s pupil, Archduchess Elisabeth. One notable difference, however, is the binary form construction of the 3/8 finale which Hofmann more typically reserves for movements styled Tempo di Menuet.

The use of rounded binary-form finales by Hofmann and oth...