Camino, Caminante draws on several Afro-Cuban and Latino influences without emulating a specific sty;e. Much use is made of hemiolas, not only because they are such a part of the Afro-Latino heritage, but because in this case they are thematically appropriate. The inter-connection of duple and triple time suggests the interdependent, interlocking movements of people and cultures: the wheels within wheels of a great city.