Proponents and critics alike may find the idea surprising that celebrated minimalist composer Philip Glass is an admirer and student of the Baroque literature for harpsichord. On consideration, the driving staccato oftheinstrument is an excellent match to Glass’s own rhythmically urgent musical energies, and so it proves in this Concerto For Harpsichord And Chamber Orchestra.Glass adhered broadly to the fast-slow-fast three-movement formofclassic concerti and his goal was to allow both the solo...