Galuppi’s secular vocal chamber music comprises at least around ten works, in varied vocal and instrumental combinations, and belongs mostly to his final creative period. These compositions are of great interest both on account of the intrinsic quality of their texts and through the artistic maturity of the composer. Galuppi’s cantata La gelosia for alto/contralto and strings – based on a poetry by Pietro Metastasio – has come down to us in the form of a non-autograph score, dated 1782, preserve...