Today, François de Fossa needs little introduction. His name and his music are well established in the serious repertoire of the guitar. One salient aspect of de Fossa’s creative output was the relatively large number of arrangements that he made for the two-guitar medium. Most of these arrangements are based on overtures to operas that were popular in France during the early decades of the nineteenth century. But perhaps the most daring endeavors in this direction, were de Fossa’s arrangements ...