Contenido
- “The company does its work in grand style”
Reinhold Kubik - “Mahler is the bridge to the modern art”
Claudio Abbado - “I began to conduct Mahler out of spite”
Daniel Barenboim - “Mahler must have been a great man”
Herbert Blomstedt - One cannot refer to the biography to explain the music”
Pierre Boulez - “Mahler's ‘First’ was the great emotion of my youth”
Riccardo Chailly - “Mahler composed inwardly"
Christoph von Dohnányi - “Wow, Mahler!“
Gustavo Dudamel - “Mahler is certainly the greatest symphonist ever”
Christoph Eschenbach - “Mahler should be performed simply and humbly”
Daniele Gatti - “Mahler's ‘Seventh’ made me sleepless”
Valery Gergiev - “Bernstein turned Mahler into kitsch”
Michael Gielen - “In New York he was kind of giving up”
Alan Gilbert - “I always found Mahler alarming“
Bernard Haitink - “The rubato is essential when conducting Mahler”
Manfred Honeck - “With Mahler you have to give everything”
Mariss Jansons - “I would never have asked him anything“
Lorin Maazel - “I would love to ask him a thousand questions“
Zubin Mehta - “Mahler is my point of reference“
Ingo Metzmacher - “Mahler was a pioneer - not only a radical“
Kent Nagano - “Mahler wanted to show the world: I have a problem!”
Andris Nelsons - “Frozen for eternity in death”
Jonathan Nott - “Mahler controls chaos”
Sakari Oramo - “Mahler wanted to live, that's the whole point!”
Sir Antonio Pappano - “Mahler is more contemporary now than in 1910”
Josep Pons - “Mahler is the reason why I'm a conductor today”
Sir Simon Rattle - “Mahler embraced everything that exists”
Esa-Pekka Salonen - “Jump! Cut! Bang!”
Michael Tilson Thomas - “Mahler was like an earthquake for me”
Franz Welser-Möst - “Mahler is a universe in itself”
David Zinman - Conductor's biographies
Diverse - Gustav Mahler – short biography
Diverse