Contenido
- Introduction
- 01 Nadine George-Graves: Magnetic Fields: Too Dance for Theater, Too Theater for Dance
- Section I: In Theory/In Practice
- 02 Ann Cooper Albright, Split Intimacies: Corporeality in Contemporary Theater and Dance
- 03 Anita Gonzalez, Negotiating Theatrics: Dialogues of the Working Man
- 04 VK Preston, "How do I touch this text?": Or, The Interdisciplines Between: Dance and Theatre in Early Modern Archives
- 05 Ray Miller, Dance Dramaturgy
- 06 Vida L Midgelow, Some Fleshy Thinking: Improvisation, experience, perception
- Section II: Genus (part 1)
- 07 Maiya Murphy, Fleshing Out: Physical Theater, Postmodern Dance, and Som[e]agency
- 08 Stacy Wolf and Liza Gennaro, Dance in Musical Theatre
- 09 Colleen Dunagan, Dance and Theater: Looking at Television's Deployment of Theatricality Through Dance
- 10 Susan Leigh Foster, Why Not 'Improv Everywhere'?
- Section III: Genus (part 2)
- 11 Royd Climenhaga, A Theater of Bodily Presence: Pina Bausch and Tanztheater Wuppertal
- 12 Praise Zenenga, The Total Theater Aesthetic Paradigm in African Theater
- 13 Jane Baldwin, Jean Gascon's Theatricalist Approach to Molière and Shakespeare
- 14 Marianne McDonald, Dancing Drama: Ancient Greek Theatre in Modern Shoes and Shows
- Section IV: Historiographical Presence and Absence
- 15 Ketu H Katrak, The Post Natyam Collective: Innovating Indian Dance and Theatre, Abhinaya and Multimedia
- 16 Odai Johnson, Dancing for Dionysus in the Year of Years
- 17 Erika T Lin, A Witch in the Morris: Hobbyhorse Tricks and Early Modern Erotic Transformations
- 18 Esther Kim Lee, Designed Bodies: A Historiographical Study of Costume Design and Asian American Theatre
- 19 Ann Dils, Moving American History: An Examination of Works by Ken Burns and Bill T Jones
- Section V: Place, Space and Landscape
- 20 Amy Strahler Holzapfel, Landscape Between Dance and Theatre: Meredith Monk, The Wooster Group, and The TEAM
- 21 Anne Flynn and Lisa Doolittle, Colonial Theatrics in Canada: Managing Blackfoot Dance During Western Expansionism
- 22 Sally Ann Ness, A Slip on the Cables: Touristic Rituals and Landscape Performance in Yosemite National Park
- 23 Michael Morris, Orientations as Materializations: the Love Art Laboratory's Eco-Sexual Blue Wedding to the Sea
- Section VI: Affect, Somatics and Cognition
- 24 Petra Kuppers, Social Somatics and Interactive Performance: Touching Presence in Public
- 25 Amy Cook, Bodied Forth: A Cognitive Scientific Approach to Performance Analysis
- 26 Sondra Horton Fraleigh, Images of Love and Power: Butoh, Bausch, and Streb
- 27 Darcey Callison, Thoughts on the Discursive Imagery of Robert Lepage's Theatre
- Section VII: Unruly Bodies
- 28 Patrick Anderson, A Slender Pivot: Empathy, Public Space, and the Choreographic Imperative
- 29 Halifu Osumare, Conjuring Magic as Survival: Hip-Hop Theater and Dance
- 30 Thomas Postlewait, 'Court Wonder': The Performances of the 'Queen's Dwarf' in the Reign of Charles I
- 31 Krista Miranda, 'What do Women Want, My God, What do They Want?': Mimeses, Fantasy, and Female Sexuality in Ann Liv Young's Michael
- Section VIII: Biopolitics
- 32 Daphne P Lei, Dance Your Opera, Mime Your Words: (Mis)translate the Chinese Body on the International Stage
- 33 EJ Westlake, El Güegüence, post-Sandinista Nicaragua, and the Resistant Politics of Dancing
- 34 Jade Power Sotomayor, From Soberao to Stage: Afro-Puerto Rican Bomba and the Speaking Body
- 35 William Givens Lindy Hop, Community, and the Isolation of Appropriation
- Section IX: National Scales and Mass Movements
- 36 Sandy Peterson, Russian Mass Spectacle and the Bolshevik Regime
- 37 Marie Percy, Movement Choirs and the Nazi Olympics
- 38 JL Murdoch, Talchum: Korea's masked folk dance-drama
- 39 Kim Marra, Circus Echoes: Dancing the Human-Equine Relationship Under the Millennial Big Top
- 40 Neal Hebert, Capitol City Camp: Gay Carnival and Capitalist Display
- Section X: Infection
- 41 Miriam Felton-Dansky, Borrowed Crowds: The Living Theatre's Contagious Revolution
- 42 Marlis Schweitzer, The Salome Epidemic: Degeneracy, Disease, and Race Suicide
- 43 Virginia Anderson, Choreographing a Cause: Broadway Bares as Philathroproduction and Embodied Index to Changing Attitudes Toward HIV/AIDS
- 44 Michael Lueger, Dance and the Plague: Epidemic Choreomania and Artaud