The publication of the first volume of writings in the Eisler Complete Edition was awaited with great anticipation. The scope of the texts is unusually large, both in their contents and time of origin. They range from the Vienna diary of 1921/22 to the Berlin opera reviews of the years 1927/28 and to Eisler's first major works on musical aesthetics ("Die Erbauer einer neuen Musikkultur," 1931, "Zur Krise der bürgerlichen Musik," 1932) and up to the texts of his first period of exile (up to fall ...