"Oh the tempi, how terrible!" Dvo?ák often complained bitterly about tempi, and with good reason, as the respected Dvo?ák expert Klaus Döge discovered while preparing his edition of the Eighth.The composer's conducting score, which also served as the engraver's copy, has resurfaced again and offers sensational findings for performers. The copy contains an entire series of added tempo entries that were not all incorporated into the first edition. Döge's edition now sheds light into the previously...