This work comes from a singular attempt: to carry over a sound paradigm, that of Pierre Schaeffer’s Étude aux sons animés, from one genre to another, from one universe to another, to transpose a form of the indescribable. The ineffable (the unplayable, the un-writable?) – of ingenuousness, of momentum, of the nonchalant and millimetric snapshot of collage – followed up, tightly shot, accurately carried forward like a fresco enlarged by squares, and finished off with an ample movement that gives ...