Inhalt
- Acknowledgments
- Introduction
- Diatonic Substitution And Upper-Structure Triads
- Diatonic Substitution: 7th Chord Arpeggios
- Parallel Modes And Diatonic Substitution
- Secondary Dominants
- Improvising Over Minor Chords
- Common Uses Of The Melodic-Minor Scale
- bII7 and V7(alt) Chords
- Diminished 7th Chords
- The Symmetrical Diminished Scale
- The Four Tonic System
- Melodic Counterpoint
- Building A Solo: Chromatic Motion And Compound Lines
- Author's Note
- About The Author