Partly on account of their instrumentation, the Op. 18 sonatas are closely modelled on Corelli’s Opp. 1–4, both in terms of style and violin technique. Each consists of four or five movements, at least one being a dance; most of the slow movements feature the familiar Corellian “walking bass”, while one of the fast movements in each sonata is fugal or based on imitative entries. In spite of their adherence to Italian models, however, the sonatas do display certain French elements, along with cha...