The studies by Charles Dancla (1817–1907) are more than mere technical exercises. They demand a special sense of tone, an elegant, softly flowing and swinging way of playing. They challenge the violinist in all associated disciplines, such as staccato on an up- and downbow, arpeggios, double stop passages and rapid passages. Apart from that, Dancla again and again seeks the soft, singing sound areas and the refined sound. It is fun for both teacher and pupil to develop the violin playing techniq...