• Urtext edition with new readings
• Notes on performance practice (Ger/Eng)
• With historically informed fingering and practical page-turns
• Informative Foreword (Ger/Eng) and detailed Critical Commentary (Eng)

Hardly any cycle of piano pieces can match the magnetic attraction of Chopin’s “24 Préludes”, published in 1839. Schumann called them “sketches, beginnings of études, [...] ruins, stray eagle's pinions, all disorder and wild confusion”.

Christoph Flamm has critically reevaluate...