A welcome addition to our catalogue by theatre composer Jason Carr, who hesitates to confess this piece started as a dream that he’d written a Robin Hood ballet, with a stage full of people dancing a rather un-English Tarantella at Nottingham Fair. The resulting one movement Phantasy is in three standard Fast-Slow-Faster sections with plenty of lively interaction between the instruments.

The piece is an evocation of the noble, mythic England of Richard the Lionheart, Robin Hood and Sherwood F...