Pensiero and Allegro Appassionato reflect the two most important sides of Bridge’s musical personality and are most aptly titled. Pensiero is restrained, almost elegiac in mood, more fragmentary in the accompaniment’s textures and phrase-structures than its companion. The integration of harmonic elements and melodic contours (especially in the opening dissonance, the interval content of which forms the viola’s first melodic gesture and, in a different harmonic context, effects a stirring climax ...